tread lightly

tread lightly on our earthImage
she feels every
movement
tread lightly
on our earth
with each time
a breath
as a prayer
for her life

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We know what is right……

We know what is right, we know in our hearts, in our bellies, our guts. We know in our blood what is most important. The earth, the soul, the natural world. Screen shot 2013-08-19 at 09.35.21

In times gone by, priests became our elders and had access to the upper-worlds. We would revere them and admire their more than holiness. We would see them as ‘enlightened’ beings and trust that their judgment was always the best. We would seek their advice and bow to them paying them with our money and offering’s. Often we are encouraged by them to ‘look to the light’ as the place of spirit. We need to ascend and this can be a beautiful experience. Most religions will encourage us to look above for the right path. However if we always look to the light we stay more childlike and immature, stuck in an adolescent phase of our life.

This is a useful way to be in the world for those who would dominate us. Many leaders have always encouraged us to look to the light, to praise God in the heavens; anything that was below was seen as the devils realm and of hell. They knew that if we explored the depths we would grow up and become more mature. If that happened we would no longer be able to be controlled. So we learn to fear the depths of darkness, fearing we may be cast to hell if we look deeply enough.

Yet it is the soul that we need to connect to in order to grow and become adults. That is scary for the people in power and not something they would necessarily want us to do. Will we remain small and insignificant in order for that power to be held over us?

We are not always encouraged to descend into the darkness, into the worlds of poetry and myth, into the very places that makes us feel more deeply, and yet we need to go to these places in order to enter fully into the realms of the soul. It is here that we find the beauty of true growth, the way forward for the mature adult to become real and empowered.

If the people descended in to those realms of soul, they would begin to feel, they would discover the dream time and the poetry, they would allure others to be in the dark with them and then the people would begin to grow, to inhabit their own inner power and to find the light within the darkened places. The descent to inner-sense.

The spiritual leaders condemned the beliefs that poetry and the dance, the myths and the legends, were part of our craft to engage with soul. They created fear in people’s minds and in their communities, ‘Always look to the light’ they would say, that is where the true God resides, keep looking upward and all will be well. ‘Do not explore the dark, it cannot serve you.’

The money and the wealth and the positions of power would always be theirs. The people would not grow, but remain like children looking up at their parents, lost to a world of depth and discovery. When those who saw that light within the dark made any attempt to share the truth, they were burned, they were drowned and they were hung. Still we throw our crumbs to enlightened beings, taught that true life is above us, to steer away from the feminine, from sensuality and sexuality. Indigenous cultures would be undermined, land stolen, men tortured and the women raped.

The innocence lost in a make believe world of keeping our selves small. Innocence is not small, it is the inner power of all that we are. Our strengths and our vulnerability.

We know this at the deepest core of ourselves, we feel a ‘quickening’ that shakes us and vibrates through us. It speaks to us, urging us to move forward. If we pay attention to the ‘quickening’ we know we are about to grow.

Words from ‘Reclaimed Innocence’ ©

The Woman’s Medicine Song

I cannot share my medicine with people in power

She cannot share her medicine with people in power

 

The woman she is burning in the deathly fire

I can hear her screaming

When nothing else is heard

 

But the smoke that is rising

Is the call for new birth

So she beckons to her sisters holding out her hand

Asking for forgiveness for shaming the land

 

The voice it is broken

Scarred beyond belief

But the mending is beginning as the soul begins to speak

 

Words of pure wisdom from the belly of the earth

And the fire reaches higher as the waters cleanse her heart

And sisters are united as the medicine is heard

 

And the mists begin to clear with the sunlight of dawn

 

So she will share her medicine with people in power

We will share our medicine with people in power

 

Her heart is burning brightly

Her passion running wild

The dream has awoken and is spreading through the land

The voice no longer broken but a strong and powerful sound

 

People in power will hear her medicine

People in power will share her medicine

                                                                Caroline Carey From ‘SHE has a Voice’ ©

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What is alluring you?

A small taster from my poetry book that is going to print very soon…..

Image

What is it that allures you?
What calls you to take part?

It may not make you
feel at ease
but you know you
cant resist
that voice inside
it will not let you rest

so you open up
the door way
you take those first
few steps
that you knew
you had to make

The fear begins to lessen
its grip upon
your soul
subsiding with
illusions
that now are
much to old
and excitement travels
through you
and dances
with your feet
and finger tips
en’trance you
growing feathers as
you speak

and reaching out
upon the path
it has you
in its arms

come into the wild it said
and will meet you there

come into the wild it said
theres a song
we wish to share

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What is your worth?

Is your cupboard empty

gold eaglecreating hunger from inside

are you fearful

of the statement

dropping on the floor

holding breath

holding fear inside

why did no one tell you

how to run your life

while so many sit at tables

laden with gold

what is the message

we are being told

where does our own worth

lie in this storm

who are you

when the balance is low

are you groveling in the ashes,

picking up the dregs

of others lives’

how is your self worth

when all will fall away

the crucial moment

waiting for that one voice

To say

here

hold out your hand

here is the gold

here is your worth

wishing it was different

yet deeper inside

the worthiness calls

to you ‘be my friend’

it cannot be

outside

your self

a living dream

of some one else

pride inside the cupboard

do you know your own worth

without a price on your head

a heart in your hand

your worth is not written

on paper

figures on a sheet

it lies in the hearts

of every one you meet

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Heart of the Matter

There is a discipline to using every heart tremor or emotional
trigger for a purpose, for a way to learn more about ourselves. Each
tremor is a gateway to possible growth; it means that we are faster
on the road to maturity. Every time we blame someone else, accuseimage_of_a_heart
and verbally abuse, then we take steps backwards into the immature
shadows of our personality. Moving forward means accepting the
hearts challenges and saying yes to what they teach us. This is a way
to true growth but is not such an easy discipline to set ourselves up
with. The heart is connected to our primal energy and is yet again
related to the pineal gland that was originally reptilian. It keeps us
in touch with basic animal instincts. When we speak or act from the
heart we are tapping into this behaviour.
A little impulse of a story hits my heart and moves a muscle in
a particular way. I feel it begin as those words put pressure on a
nerve that responds down into the depths of belly. My breath wants
to restrict the feeling so it shortens and becomes less. Knowing in
my mind I must breathe deeper and longer to assist the movement
and the heart tremors. But the journey is to feel. Without that feeling
there is no growth, no matter and no energy for future life. Sink into
the depths I must, else my life becomes a constant re-action of past
stories, accumulating en-mass repetitive wounds that build on top of
one another, unless I dance each one of them free and explore their
meaning, they stay stuck and twisted like vines growing amidst stone
walls with decaying cement, that will age far too quickly as they
dry and crack, being sucked by roots with a lack of forgiveness and
understanding. Freeing each root and loosening their grip I tread
softly amidst the earth’s mosses and heathers and draw comfort
from the ability to connect to the sensuality and tenderness that the
earth and my heart dance together with. In that sweet connection I
know that I am free, free to feel unashamedly, free to move without
restriction and free to unleash my dance from the burden of past
history.

Sometimes I have wanted to make my pain about someone else
and what they are doing to me. Sometimes it can be the truth, I/we
are being hurt and we have to stand up to any abuse. But even then
there is still something for us to learn from the experience.
The discipline is that as we feel heart tremors or emotion, we
need to be still with it, no matter what is happening, to still ourselves
internally and listen to what we are feeling, whatever we are doing.
Within reason most activities can be continued but it is our internal
being that needs to be addressed. All the better if we can sit or lie
down or dance softly, always listening, standing or walking quietly.
Connecting to the breath and the emotion.
No matter what is arising be careful not to blame or make it about
anyone else, be really honest with yourself. It is your emotion, your
heart, so take it personally and allow it to be your teacher, welcome it
in and see the beauty of possibility within it. Sometimes it becomes
even more painful when we do not vent it onto another, it can feel
like it is all building up inside us and it would be such a relief to put
it out of our body and pin it onto someone else. That would ease the
pain and allow us to feel far more comfortable. However it would
not be a more ‘grown up’ experience that we could learn from.
We have all made decisions in our lives and need to pay
attention to the consequences of those decisions and choices. We
are not victim to any of them. It is far more helpful for us to take
responsibility for our part in the process and that enables us to be
open and compassionate towards ourselves.
I remember well making one of those decisions for myself. I
recognised that I, myself, had chosen the very challenging situation
that I was in. When I meditated on it and found peacefulness within
it and an acceptance of it, I experienced a huge relief. This was the
absolute truth of the matter; I could not blame anyone else and took
one hundred percent responsibility for it in my life. I walked on with
a smile on my face and a deep sense of rest and relief within me.

A beautiful feather, freshly fallen from a passing bird in flight
draws my attention and I stoop to pick it up. It is perfectly formed
and soft to touch. Thick stems of lightness and strands that extend
longer and thinner strands on the outside. I notice its perfection and
purity, allowing that to touch me. A little beyond I notice another
feather, it is dirty and scruffy, worn out and trodden into the earth.
I dismiss it deciding it is not perfect enough to be bothered for that
moment of bending down and dirtying my hands in order to pull it
from the muddy grasses in which it lays. But going back then for
another look I wonder why!
Is it, in its imperfection not worthy of a longer moment of my
presence? Bending down I pick up the feather and allow it to join
my more perfect example of purity. I notice its shabbiness next to
the white and I feel sad at what has been lost. In the beginning theyfeather
both looked the same, riding high on the wings of time, across the
heavens, glistening in sunlight and being pruned by their owners
beak on rooftops high above the ground. Falling from grace onto the
same earth, passed by many times by the same human feet, they take
on a very different journey.
Am I too ready to seek out perfection or can I stop a little
longer each time to look deeper at what I might consider to be a
darkened and forgotten element that was once more important than
I could imagine. Too quick to dismiss a feeling that could lead my
imagination through many gardens of fantasy and illumination.
My eyes see and my heart responds, I cannot choose not to feel
it, it happens anyway but I can choose whether it be perfect or not
in that moment, even what appears to be imperfectly formed might
be the perfect emotion and the perfect element for that particular
moment. And as the thorn bush pulls at my ankle reminding me that
nature too has its demons and claws, I am reminded that my own
darkness has a memory of past illusions that wants recognition
that wants to be ‘picked up’ as well and put side by side with my
perfections.

from ‘Reclaimed Innocence’  MyVoice Publishing 2012

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Last week I began a walk with 120 others across the beautiful lands of GatheringSomerton and ended up in a large white marque in a local farmers field.

What were we doing you may well ask?

Well this was the beginning of what is called ‘The Long Dance’ and is the brain child of Ya’Acov Darling Khan. Most of the 120, have been dancing together for many years, within the structure of The School Of Movement Medicine, some longer than others, usually finding ourselves in deep process together, unraveling the stories of our lives, healing some of those wounds and finding ways to individually and collectively re-claim those lost soul parts of ourselves and find a rich fulfillment and connection to who we are. This is the personal work of Micro awareness.

As our own healing work manifests and the necessary changes are made in our lives, we are more able to extend ourselves to the world around us and find new ways to make effective change elsewhere. This is the ‘Macro’ awareness of the practice, extending the dance to the world around us.

The Long Dance is part of that work where the individual work is still danced, but collectively we are raising money for the charity of our choice. In this case it was to donate to the Pachamama Alliance, who are supporting the Achua tribe and their loss of land to oil companies.

This is a little information about why we are raising money for this tribe….

Ten million acres of the last and most pristine culturally and biologically diverse rainforest in the world is under threat right now, as the Ecuadorian Government is aggressively promoting the oil concessions of these ancestral lands with out the proper consultation or consent of the indigenous people who have lived there for millennia.

We were very excited that we were to be joined in person by three young leaders, Jiyunt Uyunkr Kaniras, Olger Jencham Sandu and Yanda Montahuano Ushigua from the Achuar, Shuar and Zapara Nations, to hear first hand about what is happening on the ground in their rainforest territories and how a growing alliance is coming together to stop this impending round of oil development. These young indigenous leaders are exemplary in their efforts to raise awareness in their communities and the wider world. They have been working jointly with the Pachamama Alliance to empower people of the Amazon rainforest to preserve their lands and culture and, using insights gained from that work, to educate and inspire individuals everywhere to bring forth a thriving, just and sustainable world.

The three leaders, currently on a visit in Germany, were asked by the British Government’s Home Office to go to Dusseldorf to receive their visas. On arrival, however, these were denied to them.

How disappointing for us that we were not able to meet with these three young people and hear how their lives were being affected. I ask myself what are we in Britain afraid of? How could these three young people be a threat to our civilization?

Still for us it really enforced the need to dance, to raise money and to offer our support in as many ways as possible to the forests and the people who need our help. To send them our prayers and our support so that their own efforts are recognized.  We raised around £40,000 for that particular charity and other charities also. Quite an accomplishment really and shows what is possible when we all come together with a collective intention.

Raising this money is a huge step to support this tribe and to do what we can to speak out about the injustice of what is happening to our rain forests.

The practice of Movement Medicine is to dance through 21 Gateways. This is mapped out movementmedicinewith a Mandorla where we spend a particular time in a state of awareness that is focused on one of the gateways. We move our bodies (dance) in connection to this. It might be the gateway of Body or it might be the gateway of Fulfillment or Realization, it might be our Past or our Future. Which ever Gateway it is we have time to ask questions, meditate and receive inspiration as to what is needed for this particular area of our lives. It is a very safe space for this process and we can be challenged or surprised, sometimes experiencing deep emotional experiences as the truth becomes made known to us. There is always support on hand and where needed when the going gets tough.

Our intention is to become the Dancing Warrior, the one who can dance through any challenge, no matter what we are faced with. What ever is presented to us in life, even some of the most unbearable situations that have to be faced and danced with. Sometimes it is all to easy to step away, ignore or run in the opposite direction but standing strong as a warrior does, we embrace the truth and become stronger with it.

Ceremony amplifies what ever it is we are dancing with. Emotions and stories can seem way out of proportion. I know, for it has been part of my own journey. When my heart was hurting some years ago, I was ready to leave and never have to face that painful moment again. The rebel in me was ready to go it alone, step away and ‘do it by myself’ what ever it was I intended to do. But luckily I made myself a promise some years ago, that I would stay no matter what. That I would keep showing up and go the whole way no matter the dances I had to dance.

I knew that I would meet many challenges and that they would get stronger. What I have found is that each one has had its dance and has had had to come full circle, from beginning to end, to find its completion and to then have its dance reflected in life outside of the ceremony.

For whatever we dance within the ceremony, it is reflected effectively 10 fold in our daily lives.

We are facing our fears and the unseen part of ourselves, the shadow energy that cannot hide within the light we are creating together. It is inevitable that part of our story will want to be brought to the fore. What we do with it is up to us, as individuals. Dancing with it and allowing its process is what this practice offers us. And part of that is to dance with our ancestors, those we love and need to develop deeper connections to, those we wish to pray for, both human and non-human, especially our connection to the earth.

Maybe you will join us next year for this outstandingly beautiful event. Its growing expanding and getting richer by the year. Maybe you would like to support in other ways too.

https://app.etapestry.com/hosted/ThePachamamaAlliance/OnlineGiving.html

DSC_2394

Susannah and Ya’Acov Darling Khan and 120 dancers of Movement Medicine

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Can you trust your own vulnerability? Can I trust my own?

Today I am off to meet with a horse, well I love horses and always have done. As a young teenager and into my adult years I kept my own ponies, riding across many landscapes mostly bareback and without any need for saddle and bridles, I had absolute trust of those fellow creatures. And then in my 40’s the accident happened that changed all of that.

Crumpling under a 17 hand high Irish draught horse, I near met my end and felt that intense vulnerability of powerlessness. I never rode again, but decided a short while ago to re-kindle my friendship with horses and to try to understand why something that had been so natural and life fulfilling for me had so swiftly and instantly been taken away.

So today I set out to meet with Gabrielle and her two horses at ‘Shine For Life’. A non for profit organisation that runs equine assisted therapy and learning. I could have just decided to go for a horse ride one day and get over what ever was blocking me and ignore those fragile feelings that arose when I even thought about a horse. But I knew the vulnerability was an important gateImageway to healing.

I had lost a big chunk of my life. So not only did I feel a sense of (probably very justifiable) fear around horses, I had also lost that necessary connection to horse and the world of my primal adventurous spirit that went with it.  I didn’t need to ride again I told myself, but I did need to make friends with horse.

A few months ago Ben and my daughters went off to ride together for a birthday celebration, I went along to watch and support. Within the confines of the stable yard I had felt that fear of body crashing down onto concrete having slipped off the rearing horses rump and being sandwiched between that same concrete and beast. I was happy to simply observe. But once I was watching them canter through green meadows my yearning returned and my soul leapt a few beats. Wandering through the woodlands as I awaited their return I found the feathers of a tawny owls broken wing, I gathered them to me as they supported my tears of loss.

So now with Gabrielle in the field, with her two horses I began to reclaim a little of my relationship to those horses. Ben came with me and we were able to observe our own relationship through the energy of these horses. Intriguing it was and we saw many of our own patterns of behavior that are instinctual and necessary for us. We were witness to some fun antics, some sexy moments, friendly playful displays of flirtation and some firm feet on the ground determined, steady earthiness.  The way to stand side by side as we look out at life together. We learned a lot about what is needed for us to continue together in a healthy and deeply connected way.me and ben and horses

I had to really trust my own vulnerability to lead me to this place without bottling out and letting my fear of the past experience over ride my determination to make changes regards something that was actually affecting my soul quite profoundly.

I may never know fully any reason for the accident I had, maybe it is just one of life’s mysteries. But the journey it is now taking me on is certainly an adventure that I would not be experiencing had it not happened. Who knows where else it may lead. But for sure one of these days I will share my home once more with horses.

Looking through some of my writings I came upon a piece of writing about vulnerability that I had written some time ago.

Trusting The Vulnerable

Can you trust your own vulnerability? Is it something you will admit to in the face of others? Or is it something you would prefer to hide away incase you were considered to be weak or too fragile for the approval of others?

What would it truly mean to step into your own vulnerability, to acknowledge its existence and even bare the fruits of the possibilities that ensue? For sure their are enormous benefits in allowing our vulnerability, as it opens up gateways into the courage and authenticity needed to be an honest human being.

I have had to journey into my own vulnerability time and time again. I’ve written many experiences with this in my last two books. We are all vulnerable, just living on this planet makes us vulnerable. None of us are beyond the tremors and elemental forces that are around us.

Every day we meet with possible death, every day we face the enormity of how fragile we really are, yet barely do we allow ourselves to think like this. Probably for the best. If we went around imagining doom and gloom we would be in a right state, probably locking ourselves away shutting the lid on life and never daring to look beyond very tight boundaries. But there is a vulnerability that does need addressing, because if it is not, it will create stress and dis-ease within our bodies.

There is no possibility of truly loving with out that same love being prepared to be vulnerable. There is no true courage until we can walk through our vulnerability.

Beautiful vulnerability – be careful what I write. Releasing me from safety, never knowing, as safety has a harsh dance too, she reminds me to be ever careful, never to take risks or to dare to escape into the fire of adventure.  Inviting my vulnerability may seem like a gentle and sweet exploration of my soul and my inner child – yet it rocks my boat and throws caution to the winds of time and illusion – reaching into my stress, one layer after another into that song that once sang a deep gratitude for all that is in my life.

To find now the gratitude for being thrown into the thunderous waves of life, like a small twig cast from a precipice into the torrents of mighty rivers – I draw in my breath.

To wander in and out of lightning struck head games and eat from the tables of natures hurricanes, I am daunted by what is yet to follow. Yet if gratitude persists in the knowledge of vulnerability and safety sits on the shelf and simply observes, then the mystery welcomes me into its storm, into its whirling midst where I can dance in its stillness, letting the stress take care of itself. The eye of the storm takes me further into my own gentle and unfolding garden and the storm passes over the landscapes leaving a trail of words and sentences, poetry and prose for yet another tale of outrageous ridiculousness on the merry journey of life.

 Would I remain on that shelf and sit side by side with dear safety – maybe for a moment – to ask her how she is and is life exciting her enough? Is she ready to risk putting a toe into the storm or a finger tip into the currents and yell that rebel yell, ‘to hell with it all  – I want to dance freely’ Risking all of the need to remain with one story of love and of being at home, home with the nest of many and curled into comfortable illusions and dreams of a perfectly nice existence. Breaking loose of any idea of mundanity opens from the cracks in the walls and stains on the carpets, the unfinished jobs left too long that create a stench of ‘her rightful place’

Never no more it sings from the garden wall, time wasted on the endless cycle that goes round and round creating harmonious tremors like forty days of washing up and unswept floors. Emptying out, it is time to let go of that home, that never ending cycle and leap into the boundary-less world of expanding vulnerability letting its waves meet with different  shores in a world that will greet it and meet it one wave after the other as fresh and new ideas tumble into the dunes and grow fruit from the expanding consciousness of its receiver.

And safety holds my hand as she leaps off the shelf, in fear of being left behind.

What is being vulnerable?

It is about being able to feel into our own emotional being. To listen inside the body to the stirrings of our hearts. It means paying attention to the vibrations of sadness and grief. To the underlying fears that we would prefer to ignore. It means speaking out even when we are deeply afraid of doing so, daring to allow the possible shame and humiliation that might ensue. It means meeting once more with the beast that rocked our boat, that took away our innocence and wild spirit and without fighting back, standing facing or leaning into and seducing the kindness and gentleness to be our ally and friend.

Some people prefer never to look at the shame they carry. There is a stigma that says ‘it is shameful to be ashamed’. This is confusing for the innocent being who is experiencing that level of shame. Others may feel that to be jealous, envious, angry, regretful, fearful are also shameful to feel too. So they cannot admit to those feelings and prefer to assume they must be about some one else.

Yet to be fully vulnerable, we need to acknowledge all that we feel and be prepared to face what ever unfolds along the way. Pure honesty is called forward.

Having to admit that one is vulnerable takes courage. Interestingly the flip side of vulnerability. Two sides of the same coin. We cannot be one without the other. We need courage to explore our vulnerability and we need to be vulnerable enough to step into true courage.

A man going into battle knows there is a possibility of death. He must face that vulnerable possibility and have the courage to stand strong in what he believes in. A woman giving birth knows there is likely to be pain and an opening up of her body, she prepares herself to face this. There will be no new baby without it. She can choose not to feel by anesthetizing, but risks not having the full experience of birthing her child, that she may hope for. The baby may be drugged and the strong bond between mother and child may be at risk. So to open ourselves up to experience rather than hide through anaesthetic, drugs, food or alcohol becomes a route to experiencing vulnerability and a way to address many levels of shame we might feel.

We can remain in denial, but denial is a trick created by the mind. Sometimes a useful trick that enables us to wait till we are completely ready before we embark on those mighty seas of transmutation. If we are able to swim out into those great waves and we still choose to deny our feelings, then chances are some one else will get the brunt of our stress levels and projections.

If we are brave enough to take courage, swim from those shores and at the same time face our shame, we open up possibilities of incredible creativity. We invite it in, to show us who we really are.

from The Circle, The Fire & The Phoenix

Thank you to Gabrielle and ‘Shine For Life’.

Gabrielle and her horses can be found at http://www.shineforlife.co.uk/staff/gabrielle-gardner.htmwhite horse

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Do you have a story to share?

Today I thought I would share the first two chapters from ‘Ms’Guided Angel’ which was poster ms gpublished in 2010. Its been quite a journey from writing its first words one rainy morning (and I remember that morning well) to now, writing my third book and feeling into what I wish to share. I can often feel quite vulnerable sharing my own story, especially one so personal, however I believe in the sharing of our stories we can begin more easily to find the healing necessary for our cultures.

Here are two chapters, including the ‘Creation Story’ if you feel drawn to knowing more you may like to find the book, available on Amazon or simply be in touch with me with any thoughts or comments you have…..

Creation Story

In the very beginning as the second seed was planted, a daughter began to grow inside the Great Mother. The Great Mother wanted her daughter so much. In her she knew that great things would become. So she nurtured her, but with a vibrant touch.

She knew if she were to grow fully she would need many, many challenges. She would need to expand all of her muscles in her body and heart and mind with a warrior’s spirit. She knew she would have to learn to fight.

Much as the Great Mother loved her precious daughter, so very deeply inside, she sent to her mighty storms, she sent her earthquakes and tore her heart to pieces over and over again, shattering her trust and allowing her body to be bruised and battered.

The Great Mother felt the pain in her heart and body as she watched her daughter suffer at her own doing. But still she persevered for she knew how necessary this was.

She blessed her child with sons and daughters, she blessed her with fine fiery teachers, she made her dance religiously because she knew she would die too soon if she did not.

 And as her daughter grew, her body getting stronger, her spirit becoming like the fire and the wind, her mind like a mighty wave on the sea, the Great Mother softened, for she knew the time was right to send her daughter out into the world, trusting in the work she had done.

And sometimes the daughter hated her mother, sometimes she cursed and spat from the fire in her belly. Sometimes she turned away and shunned that mighty force.

But always she came back to rest in the great mother’s arms. To be held and truly loved as a daughter needs to be loved.

And she gave gratitude to the Great Mother for the pain and the suffering, for the strength of her soul. And she vowed to give back all that she had received in the energy and form of unconditional love, happy to give of herself on the path of healing the Great Mother’s wounds.

And with her heavenly father’s approval, love and blessings, the daughter grew great and mighty wings that only a few could see, but when she opened her wings, all who were around her could fly.

And she became one with the Mother and Father, she became Divine Earth and Fire, Water and Air.

She became one with the Cosmos and all that ever existed. For she is love,  she is breath, she is the dance.

And where once she believed that life was hard and difficult, the daughter began to see that despite the struggles and challenges, life is actually a great adventure.

  Chapter 1

My World

 

This is my world,

My hidden dream,

   The one that I live in.

Nobody must enter, and I can never leave.

Though partly only in my thoughts

And often in my dreams,

I know that it exists and to me is very real.

Though the shades are often round it,

Which makes it hard to see,

They must now be unfolded,

And I can be set free.

As a child I had an image of myself sitting on one cloud and my family on another. How did I get there? I had learned to remove myself. To put my awareness in other places; to distance myself from what was going on around me. I could see from this place. I could even watch my interactions with others. I could watch myself dancing, riding horses; anything at all. It was as if I was both audience and actor on the stage. But I was on my cloud alone and everyone else was on the other. I had learned how to be separate; to find a place where I was safe. This image of us on separate clouds is one that has stayed with me all my life.

This life began in the Queen Elizabeth Hospital, Birmingham, in 1960 and I spent my first few years in Handsworth. We lived in a modest house with a small garden. My father, John, came from a prosperous family: owning a large engineering business in the centre of Birmingham. Audrey, my mother, had a father who was a jeweller; she was an artist though her work before marrying was as a secretary.

My brother, Jonathan, was a year older than me, my sister, Sophia, five years younger. I always felt they got on a little better with each other than they did with me. I was the middle child, neither the eldest nor the baby. My little sister was very lovely and sweet. I was somewhat jealous, quite a normal thing at that age, but I coped with it and did my best to be ‘a big sister’. I always looked up to my big brother, but I was less sure of how he felt about me: maybe the stroppy little sister who got in the way and was far too demanding?

Near our house there was a wood, small but accessible, which we would visit for walks. I remember large, black, iron-railed fences and gates, silver birch trees, but little else: probably the only view I could manage at that age. Until recently, I didn’t remember much about that home: my bedroom vaguely and some of the dreams I had there. There were some wisps of which I could not quite get a hold of, but they made me feel slightly uncomfortable. I could just about remember some dark presence in my room, the image then of a white bird and little else. I did not know whether they were remnants of dreams or real memories or a mixture of the two.

I am told that I started having terrible tantrums when I was six months’ old. My mother blamed it on me falling out of the pram onto my head: trying to escape even then. Escape I did, though, usually into a dream world. This was a world of animals and fantasy and a great white bird that carried me through the sky, which spoke to me and cared for me. My dreams are still full of my bird; I can smell him and feel his soft white feathers beneath my fingers. In later years, my bird was also a white horse with huge wings and the smell of horse would be strong and very familiar. My bird and my horse were so powerful, able to carry me over huge distances, through cloudy skies, across great meadows and lands I had never known or seen before. Later, this dream world would be my salvation; my way of coping; surviving.

We moved into a new house in Solihull, I was three years old I grew into a difficult child, so different to my brother, who was such a good boy. I remember our big garden with huge poplar trees at the bottom of it. That’s where the fairies lived. I knew this because my mother told me so and that they could only be seen if you were very good. I never did see them, and decided that what I could see were goblins. They were much more fun, so by the time I was five, I had accumulated many guinea pigs.

I was quite a pretty child with ginger hair and a little frown, which gave me a curious and somewhat serious look. I would dress up from the large drawer under my mother’s wardrobe. She had kept many of her old dresses that she had danced and partied in. I imagined myself to be many characters, ladies of importance, angelic goddesses, anything I could conjure up in my mind, I became. Life in the moment would become a stage and I could be anything I wanted to be.

My mother found me very difficult; she had so wanted a ‘good girl’ and did everything in her power to try to make me one. I would embarrass her in front of her friends and she would make a lot of excuses for me. As soon as we were alone she would scold me severely and lock me in my room for long periods of time. My father was much more lenient and gentle, but quite absent emotionally. He did not seem to know how to cope with me, but sometimes he would play in the garden and he helped me learn to ride my bike. Mostly I loved to sit on his lap whilst he read me stories. I loved stories and being close to him. I would take one of his biggest woolliest jumpers to bed with me so I could be close to him even when he was not there, sensing his smell and his warmth.

I wanted my own way a lot of the time and managed long-drawn-out fits of tantrums if I didn’t get it. My mother wondered what she’d done wrong, and sent me to school. I was expected to do just as well as my brother, so my mother insisted that I learned to read and write at a very early age. I absolutely detested school and being told what to do. I loved poetry and collected poetry books, reciting poems and doing my best to learn them off by heart. I was soon writing my own little poems. At school at the age of four and a half, I found it too much and did not enjoy the process. School was not going to be easy for me. I did not fit in. I tried to make some friends but never really succeeded. I was never anyone’s best friend, only ever second-best: adequate if no one else was available. I decided that I didn’t much like other children anyway while part of me did want to have friends and be popular. I suppose all kids want that, but I didn’t know how to respond to an overture of friendship and only succeeded in pushing people away. So after a few abortive efforts, I hung out by myself. I would invent imaginary friends who became very real to me: far more real than the other children or teachers at school. I could never understand what made certain girls popular; they seemed to me often not very nice and rather boring. Nor could I work out why other kids disliked or ignored me. My few attempts at joining in were rebuffed.

Chapter 2

  Big Changes

I began ballet classes when I was four and continued well into my teens. Despite not quite being the material for the perfect little ballerina, I was good. I passed my exams with honours. One of my certificates read ‘has lovely carriage and a pretty expression which should not be restricted. Very clear placing and good feet. Very good presentation and feeling!’

Good feet sounded positive: a great prerequisite for getting through life. I wore black leotards and pink tights with pink satin shoes and ribbons. I was very particular about how the ribbons where tied (the school was strict about that) and I always got it just perfect. Getting the pink seam on the tights down the back of my legs, was tricky for me, as were the white tutus we wore for examinations. Miss Anna Brown taught me well. I liked her, despite her strictness. She wanted good work and I gave it to her. She pushed and expected good results.

I loved to dance and I liked the feeling in my body when I moved. It made me feel awake, alive. It was the first time that I realized, I liked to be seen and appreciated in this safe way.

There were moments of rebellion. I didn’t like dancing with others, preferring to dance on my own. When we had to choose partners, I would hide at the back until every one was paired off so that I could display my talents on my own. It was familiar for me to be alone and uncomfortable to connect.

Ballet might seem rather an unlikely interest for this tomboy, but it was the only dance class around and I just wanted to dance and if ballet was all there was, then ballet was what I would do. I had a need to dance and I had no idea where that came from.

I had two teachers, both Miss Browns, both with high expectations. One of the Miss Browns worked with her mother who played the piano, an elderly, grey-haired lady who used to watch us over the rim of her spectacles. Miss Brown had mousey hair tied up in a bun, was tall and slender and held a wooden stick with which she banged a beat on the wooden floor in time to the music. It was like the sound of a drum and I liked it, wanting more beat, more rhythm. I liked the discipline and the structure and particularly when we could really dance and stretch. I used to see Miss Brown watch me then with a discreet smile on her face and I would smile back as if we were sharing a secret.

Some of the older girls talked about going on to the Royal Ballet School; how they would live there and how ballet would be their whole life. I heard them discussing the auditions and how their bodies would be measured. They would have to be perfect in shape and size and even their mothers would be looked at – presumably as a guide to what they would look like when older. I was horrified and seriously put off any thought of a professional career.

During family gatherings I received attention for my ‘party piece’ as a dancer. Records would be played and I would dance to my Grandmothers and Aunts favourite tunes. Here I was seen and admired. When I began to dance I no longer cared about any criticism or judgement. No dark presence could threaten me; I was self contained and happy. Nothing could touch me. I was with myself completely. I was given praise for my exam results that I did not receive in any other way. This made my mother proud, this was a big deal for me, something she accepted, I danced as much for her acknowledgement as anything.

When I was eight years old my parents decided to move to the countryside, to a place in Worcestershire called Great Witley. My father had grown up in the country and he wanted to go back there. So we moved away from any towns, main roads or traffic, up a long, rough track. White gates marked the entrance to a big, long, white house called the ‘Garden House’, which described it exactly, set amongst cherry trees and gardens, some neat and tidy, some rambling and weedy. The whole garden was surrounded by a huge great wall studded with little gateways. There was even ‘a ladies’ walk’ where once ladies would walk in their finery, sharing their secrets and gossip, flanked by high yew hedges with tall fir trees either end like soldiers on guard.

I loved this house. From the banisters you could slide down to the willow tree in the back garden. There were horses just down the road, lots of muddy puddles, old barns to explore, and, wonder of wonders, the house was set in the grounds of an old stately home that had been burned and left to fall into ruin during the war. Witley Court was huge and rambling, now only housing birds with their nests and trees of every description. In the grounds were huge fountains with stone statues. One was of a mighty winged horse with a huge muscular man astride him, spear in hand. He was rescuing a beautiful princess with long hair from a fierce sea monster that curled itself around her. This was the mythical tale of Perseus and Andromeda. Another had lost its central figure, Flora, Goddess of spring, but around where she had once been, stood mermen bowing in honor. The basins were quite dry as the plumbing had long since ceased working. They made fantastic circuits for our pedal bikes. Once in there my brother and I could race around for hours, daring ourselves to ride around the rims as fast as possible without falling off.

I would climb amongst the horse and the sea monster, finding a way to be right in their midst. I felt very comfortable there, as if it were part of my own world. As my life went on and my story unfolded I would begin to see a connection to this statue, this strong man and the demon that encircled the princess.

If words just said how much I cared,

no need for poetry

If words were the only key to my heart

there would be no need for touch.

If you could reach inside me,

My darkest paths and grief,

A velvet bed you’d find there,

Silken skin and love.

Beneath the grey stone shadows,

A hunger lies for you

A thousand lives of longing

Knowing this is true 

If I could show you 

divine unending love

If I could wrap my body 

in your arms and kiss your lips

If I could make a difference to every aching moment

Beside you I would give my life

  Enriched in healing peace.

There was so much more to this mansion and fountains that I used as my playground. I was feeling something here, creating a relationship with grey stonewalls and pillars. I felt a connection to the stone, touching it, feeling its coldness, where had it come from? There were dungeons to explore; long winding tunnels into the depths of the earth surrounded by bricks some that were falling in onto the tunnel floor. I would feel afraid of the darkness but too curious not to explore them. There were all manner of rooms in which to play ‘let’s pretend’. This was my stage where I could create and re-create the story of my life.  There were summerhouses and an old orangery, although the orange trees were long gone. A baroque church with magnificent stained-glass windows, clock tower and a crypt were still standing. The church was still maintained and used regularly for services. We, as a family, soon became part of the congregation. Much to my delight, my father became the churchwarden, caretaker of the vestry and clock tower, and holder of the keys. These were enormous, heavy iron things to match the great oak doors that led into the church. Being baroque, it was ornately gilded and there were paintings on the walls and ceilings by famous artists. There was even a mirror so the ceiling could be admired without cricking one’s neck. Along one wall were arranged large wooden boards with old photographs of the people who had lived and worked in the great house and which charted the changes that the building had undergone. But I liked it best as it was now, fallen apart and the best adventure playground any child could imagine.

This was my very own fairy-tale castle, my own land of goblins and giants, little people and animals. There was even an escaped convict who had taken refuge there and lived down the deepest, darkest tunnel. I called him Barney and I took him food and water and chatted with him when he needed company. Sometimes he just sat in a corner grumbling and complaining, but I didn’t mind. He had a very long beard and a mass of dark curly hair. I thought him rather scruffy but I didn’t mind that either. I never told anyone else he was there.

As we settled into our Garden House, we got to know the neighbors and began to accumulate animals. My parents liked the idea of the ‘good life’, so we had lots of chickens, a goat for milk and then a few sheep, keeping them in the field at the back through a little gate that led away from the ladies’ walk. The sheep had lambs and I was able to help out at lambing time and I could milk the goat, gut and pluck the chickens and collect eggs by the score. Then came the bees and their hives and an endless supply of honey. We had two dogs and some white doves that made rather a mess outside the back door, until they had a coup built for them a little further away. Rabbits, guinea pigs, gerbils and even stick insects made an appearance, but the hamsters were less successful: mine fought and killed my brother’s and then died.

My father continued to travel to work back in the city at the family business. Then the subject of school arose: where would we go? It was decided that my sister and I would attend a convent school in Kidderminster, about an hour’s drive away. I dreaded the thought as I had not liked my previous school and a Catholic convent seemed somewhat weird as we were all Church of England, but if my parents said it didn’t matter then I figured it must be all right. I was very curious about nuns and monks and any one devoted to the church or religion and liked to ask questions and talk about them. Once when out walking with my grandmother and passing two nuns on the street, I was especially curious as to why they wore black boots under their dresses. My grandmother could not give me an answer, so this question stayed with me for many years. I wondered what else they wore under these habits.

The reality of going to a convent, of course, was different. I found it difficult from the start. Again, I found it impossible to make any real friends. I was a naive country bumpkin with ratty hair and not particularly clever academically. In fact, apart from being able to read, write and enjoy poetry, I had little interest in other subjects. Art held an interest and I would draw fantasy pictures usually related to my dreams. Within them there was often a green vine that encircled the pictures, tall towers that it grew around and slim elegant trees that held spirits of ghostly women with long flowing hair, tall elegant bodies always draped in this vine that traveled though out the picture.

I traveled on the school bus mostly; sometimes my father took us in the car. It smelt of stale cigarettes and to try to fit in and be like the others, I would have a few drags on the odd fag that was passed around. It did not appeal to me, I did not like it, could not see the point but I was attracted to impressing those around me.

Once off the school bus and walking up the stony track, I could relax and be myself, passing on the way various horse’s, donkeys and other livestock. One of our elderly neighbors was the very proud owner of ‘The Duke of Worcester’, a fine great horse, over 16 hands high. I loved him and he seemed quite fond of me, even letting me put my school straw boater on him. On one sunny afternoon I took great delight in watching him take a large bite out of it, waving it around before dropping it on the ground, a large piece missing from the rim and covered with saliva. Reverend Mother would be quite horrified.

But always the rebel and totally anti-school uniform I was rather proud of my ‘new look’ boater. The purple and grey-striped blazer also came to grief. It snagged on some barbed wire and tore from the top of the sleeve down to the cuff.

Expensive uniforms did not really complement country life styles. And there was so much of it: shoes for indoors, shoes for outdoors, white gloves for summer, brown wool ones for winter, most of it was rarely worn and unnecessary. I longed to get home and put on my brother’s hand-me down jeans, my wellies and the old, baggy, blue jumper that Auntie Winnie had knitted for me which seemed to expand a little bigger every day and after every wash.

Horses were my greatest passion and I longed for one of my own but I begged rides on the neighbors’ ponies, particularly a cute little Shetland called Patches; far too small for me but capable and fast. I ‘borrowed’ without asking, one of the gypsies’ horses from the common, mainly at night, to ride around the court or anywhere they wanted to take me. Free from its ropes tied to old tyres, it would tear around as I clung fearlessly to the mane, whooping and laughing for joy. Getting it tied up again afterwards was trickier, sometimes I managed, and sometimes I had to leave it to make its own way back to its companions.

Then came the wonderful day when a pony of my very own arrived. She was a grey mare about 14.2 hands high, a pretty Arab with beautiful eyes. I called her ‘Mist’ and fell in love with her at once. She was in foal when we got her and she also had broken wind, which meant she huffed and panted after exerting herself, but the fitter I kept her the easier it was for her.

We soon became completely attuned to each other. I had little use for saddles and bridles; an old rope head collar would do and off we would go. “Up to the Church”, I would say, and off she went in the right direction. She knew when I wanted to go faster and when it was time to go home. We rode whenever it took our fancy in the day or night, and when Giselle, her little filly was born, she would come too, following at her mother’s side. We rode in places we shouldn’t have, crossing boggy land and fields, discovering new and unused pathways had great adventures together. Our favorite place to go was Witley Court grounds. The paths there made good race tracks and the stone walls excellent jumps.

The court, as well as being my own riding arena and playground, was a place of public interest. At night, cars and motorbikes would park outside and courting couples sneaked in to meet behind the hedgerows, or in the tall grasses and unkempt gardens. I knew the best hiding places and I saw what went on, but I was too young to have an interest in the physical goings-on, which rather repulsed me. I resented their presence in my private world. Mist and I had other plans. She, the lightest grey with long flowing mane and tail, I in my white jumper, long rats-tail hair and mad shriek, were out to scare. We would gallop about, trying to convince the intruders that we were ghosts, so that they would leave and not return and we could have the place to ourselves again.

I was very possessive of this old, dilapidated place. I didn’t like the other visitors or the builders that began to work there, to repair and ‘make safe’ for the tourists that flocked to see the ruins of what once was. They couldn’t see it as I did, the creatures that I had populated it with, or the faces of those that had died there and haunted its rooms. Who else could see its grandeur; feel its pain and loneliness? Only I could hear the secrets and stories breathed to me by the very rocks and stones. Mist and I would listen to them in the dark.

And I had a few secrets of my own which I could not share with anyone else, especially my family. I could only whisper them back, there, in the dark, telling my own sad, little story. I had been sworn to secrecy, ‘never to tell’. So I didn’t, except to those who I knew would not breathe a word. I felt safe there in the dark. I could hate and shout and cry. This court, these gardens were my sanctuary.

It is an old story and one all too common; a burden that so many people carry through their lives. I was a young girl, my body tender, sweet, and full of passion for life and for adventure. I loved my family and family parties and gatherings. My grandparents were very important to me and we had a close and loving relationship. But as time went on I became confused by the attention my grandfather gave to me. He bought me many presents and gifts, gave me money and took me on wonderful outings. His cuddles  became tighter, somewhat suffocating, holding me too close sometimes. When he kissed me, it was on the lips. He didn’t do that to any one else, not even grandmother. He told me I was special, always patting my bottom and telling me I was a good girl.

There was something about the way he did this that didn’t feel quite right. Sometimes I would pull away from his embraces or run and hide behind my mother. She told me off once and pushed me into his arms, telling me not to be silly and unfriendly. He pretended we were playing a game but it didn’t feel like one to me. In any case, I thought, he was too old for games.

My grandparents slept in twin beds and didn’t share a double bed and I wondered why this was. She was older than him and I thought perhaps older people didn’t sleep together but my parents and other grandparents did. Perhaps they didn’t like each other any more? My grandmother was often very cross with him, scolding fiercely, so sometimes I felt sorry for him and wanted to make him feel better. So I would climb onto his lap and let him cuddle me. If we were on our own, he would put his hands on my bare skin, underneath my jumper, or on my legs. If I was wearing a skirt he would let his hand move up my thigh and stroke me. He told me never to tell anyone because this was just for me.

So I became very good at keeping secrets and I began to grow up with them. But secrets kept me apart which made me very lonely. I had to act a part, even with my family and those I loved. This aloneness was very corrosive, making normal relationships impossible. I didn’t understand this at the time, of course, I just felt lonely, not able to make friends. Perhaps that was why I found the intimacy of the lovers in the gardens so repulsive. I wanted to cling on to my innocence, not realising that it had already been taken from me.

We spent quite a lot of time in our grandparents care, sometimes staying at their house and often they would stay at ours, if my parents went away. It was customary for my grandfather to read me a good night story and to tuck me in bed. He spent a long time doing that. It was never just a simple tuck in and a kiss like my Dad used to do. He would sit on the bed talking to me, he would touch me and then sometimes he would pull down the covers of the bed. I usually wore a nightie and he would pull that up to reveal my young, naked body which he would touch and stroke. My breasts were budding and these he especially liked to caress. I was so very confused. With my eyes closed, I could enjoy the sensations the caresses elicited; they were somehow comforting. My parents were never very tactile and I enjoyed the closeness of touching. But this felt wrong, bad; he shouldn’t be doing this. And then when he stroked my legs and my tummy he would pass his hand over my pubic bone his fingers disappearing inside me. This happened time and time again, every visit.

Each year we would have a holiday with my grandparents. We went to the sea side. The sun shone and we romped around in swimsuits, went sailing in my father’s yacht and paddled in the water. We caught fish and sun bathed. My grandfather would treat us all to ice creams and presents. He let me have what ever I desired and I knew I could get anything from him. It was an unspoken agreement. I think he felt very guilty and kept telling me not to tell anyone about ‘our secret’. I wasn’t going to tell: I didn’t have the words.

One day I was upset, I had had an argument with one of the others and it was quite late at night. I was in my nightie and dressing gown.  There were no other adults in the house, only my grandfather so I went to see him. He was just leaving the bathroom wearing a dressing gown and slippers. He said to come and have a story before bedtime. He sat in the big chair and put me on his lap. As he read, he kept moving and fidgeting all the time as if he were uncomfortable. I knew his hands were going to touch me on my skin. I felt his fingers. I jumped but he held me still saying I was a big girl now. He held me very tightly so I could not move. I was very hot, I hurt but he held me. I felt sick, lost, not sure where I was. What was he doing, why was I hurting! I became dazed. I knew a world I could escape to.

There is a cloud, a big cloud and I am moving through it, it brushes past my skin, it’s soft and I feel a sort of safety like I am being wrapped up and held in a big blanket. And then I felt warmth in my hands, I saw feathers curled around my fingers and I held tight, I gripped for all I was worth, something pulled me upwards into the sky, I was dizzy but I was going higher and higher into the sky into the clouds. There was a bright light all around me and I was flying. I wrapped my arms around great white wings I felt a heart beating and I was being carried away, far away into the distance. There was no body, no breath, just a lightness and a softness and emptiness all around.

He took me to my bedroom and tucked me in saying goodnight very quickly this time and shut the door. Is this what young women did for ‘older men’.

I was somewhat quiet and distracted for the rest of the holiday and then it was time to go home; it was over. From then on I chose not to go on holiday with my family. I had a lot of animals and it was very difficult for others to look after them. The horse needed exercising, the chickens feeding and the goat milking. I was the best at all of this, so I reckon it was quite a relief to my parents that I was happier staying at home. My maternal grandparents would stay with me and the family would go away and enjoy their holidays. They sent me post cards and brought me back a present.

I was hurt and angry, violated. What should have been a perfect life for a young girl had been poisoned, ruined, spoilt for ever. I decided that I was not going to be bound by the rules and convention and began to rebel.

Though the behavior towards me did not change and continued well into my early teens, it took a long while before I could shake it off and find a real way to escape! The memories of this behavior lay hidden in a dark place within me, as I found my route to escape amidst the dream-time. It would be later on in life, I would realize what had made me become the ‘difficult child’.

A bird, a great white bird came and took me into the sky. As we flew higher, I saw pink castles, lakes of gold and white doves. A fairy-tale land full of goodness, of purity, gentleness and dreams. Here I could be anything I wanted to be. I was beautiful and I shone and I was seen. I loved this place. My great white bird changed into a mighty horse with flowing mane and tail galloping through the clouds with thundering hooves, faster, faster. I would cry, quickly, quickly, don’t stop, don’t stop in case I feel! Energy flying through me and around me. Time and time again.

As a child I often packed my suitcase, walking out of the house with no idea where I was going. A certain need to gather things up and leave. Once I collected many hats from cupboards and wardrobes and filled my case with them. I was out for about an hour walking along the roads, I got hungry and then decided to go home. Was this packing of bags, running away and leaving, a rehearsal for later on in life?  I had tried to run away from home a few times, but never got very far and no one noticed. But this time at the age of 14, I reached Liverpool and spent a night sleeping on the pier amongst the tramps and the homeless. A real eye-opener, especially when one urinated, fully-clothed, beside me. After a couple more nights sleeping in cars, the police found me, put me in a cell, and my dear parents, out of their minds with worry, drove the 200 miles or so to collect me. I believe they were told not to be cross with me, as this would only make the situation worse. I was inclined to agree.

It was back to a family who did not talk about our problems or goings on within the family that may have been inappropriate. There was no language for this apart from the language of bad behavior. I was expelled from the convent that I was still attending. I didn’t do the work I was supposed to be doing, was detached and unresponsive to the teachers. They told my parents there seemed little point in my being there. I was asked ‘nicely’ to leave.

I joined the local comprehensive and thus began my education with boys. This school was very different to the convent; I was different and I knew if I were to survive, I would have to learn new tricks pretty fast. I was still young for my age, still a country bumpkin and totally un-streetwise. I tried smoking and drinking, to forget about my animals (at school anyway) and to talk of nothing but how to ‘get a feller’ and the latest music in the charts. I chewed gum and swore a lot. I was surprised at how easily the girls talked about wanting sex, to sleep with a boy seemed to be their main target in life, I joined in the conversations. It wasn’t really me and I felt uncomfortable with this. I was playing a role partly to be liked and fit in, partly to annoy my parents.

The need to discover my true self led me towards music. I loved the beat, the rhythm. I especially liked the lyrics and the things that artists sang about. I loved the way music made me feel and when I was on my own I would dance and move in time to the sound. My brother had a radio, record player and tape recorder. I was deeply envious and longed for one of my own. I had a very old fashioned record player and a small selection of 45rpm single records which I would play over and over again. My brother and I listened to the pop charts every Sunday, recording our favorites. We lay there on the floor, bellies down, listening and pressing buttons, trying to get the timing just right. Eventually my grandfather gave me a cassette player of my own, I cried when I received it. I did not like getting presents from him as I grew older, but this I needed so much. I had to have a way of making my music, of taking music into my own space, a way to dance and be with myself.

My first ‘normal’ sexual encounter with a boy of my own age was with Pete, whom I quite fancied, as he was also a bit of a rebel. We went into a wood and had a sort of rummage amongst the fallen leaves and undergrowth, he with his hand down my knickers and trying out interesting but unsavory kisses. I wished he would hurry up because twigs and stones were sticking into me and it was wet and muddy. Eventually he pulled away, evidently pleased with himself, and lit a cigarette as we straightened our clothes before heading home. We didn’t go out again together.

I liked the boys and their motorbikes, and I quickly learned how to get their attention. As sex was the main topic of conversation it became a bit of a competition between the girls to see who could kiss which boy and find out how far he would go with you. I liked Jon. He used to take me round the back of the youth club into the boiler house. I never got much pleasure from these encounters, fast discovering that the boys were only interested in taking it, not giving.

It wasn’t just boys. There were a few girls with whom I shared some intimate moments. It was easier because we were allowed to stay at each others’ houses, in the same bedroom. Once the parents had gone to sleep we would climb into each other’s beds, cuddle up and explore each other’s bodies. It was very innocent and tender and much more loving than with a boy. We would kiss and explore different ways of kissing and to find out what we liked best. Sometimes we just lay side-by-side, touching ourselves in a race to see who could have an orgasm first. None of the adults ever suspected a thing.

It was the trivial things that I seemed to get into trouble for. Once I burned one of my bras, trying to make some sort of statement, which upset my mother when she found out. Once my father discovered me with my hand down some spotty-faced teenager’s pants: a memory that still makes me cringe. But Dad never showed his anger, never shouted or blustered or scolded. Instead he just went very quiet and that was scary in it self. I suppose he didn’t know how to deal with his wayward teenage daughter, bottling up his emotions whilst I tried to provoke a reaction. Looking back now, I can see that I was trying to punish my parents for what my grandfather had done to me, to cope with the feelings of shame and of low self-esteem. I had not learnt from a young age to respect my body. I’d learnt to give myself away far too easily. I, like every other child, had looked to my parents and grandparents to give me confidence in myself, to teach me the difference between right and wrong, the acceptable and unacceptable and to listen to, to hear and to leave room for discussion and reassurance without judging. I needed to trust them to give me encouragement and space to question, to develop and eventually to trust myself. When this is abused, like a plant poisoned at the root, how can we grow straight? However there was always my private world that I could vanish into.

He came to me in a dream. I thought he was my bird, my horse, I could not quite tell. He had feathers and his arms where strong. One time he picked me up and just cradled me as a small child. I was not afraid; I liked his touch, his breathing. As he held me he wrapped mighty wings around me. I felt the feathers warm and gentle on my skin. He told me he loved me and that I was going to be all right. And then he took me into the sky where he promised he would always look after me. Whenever I was lost or afraid I should call him and he would be there. He showed me places I had never imagined before. We spoke in poetry and song. But I was shy and afraid of my voice. He told me that one day I would speak and sing and I would tell stories. When he brought me back to earth he would kiss my cheek and say goodbye and tell me that he was never far away.

from Ms’Guided Angel .. MyVoice Publishing 2010

© Caroline Carey 2010

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Today I sat with a circle of women

Today I sat amongst a circle of women!pack_wolves

Today I listened to women’s hearts, I listened to the longing of being together. I watched and joined them in our dance. I heard my own prayer and the answers it received.

The lone wolf standing, calling to the moon, offering her howl to the heavens, she knows what it means to offer her voice, into the void for all who wish to hear. Awakening the precious undertones of nature as cells drink in the night felt dewy sensations of fear, mixed with undoubtedly sure-footed primal instinct of feet on the ground, furred body and mouth of saliva, calling to that ‘she moon’ that looks down on our own territory of flesh and bone.
She who does not leave us, will always mother us and allow those fluid waters and rich blood to flow through our bodies. The feminine being and her own fire, will she decide to no longer be that same lone-wolf? And will she now take courage to pull her clan around her, to find new ways of communication, new ways to offer her medicine, will she let go of that rivalled and unconscious competition or envy? No longer a threat to her carefully nurtured and blended medicine, mixed in her own cauldron, so carefully steeped with her own wisdom.

Her howl becomes the howl of many others and the wisdom becomes the wisdom of all our hearts and the cauldron expands and spills into the medicine bags of all those who will dare to carry them, as the medicines power pulls us closer to the earth and the mothers voice reaches in and joins those forces together.
Blending her own mix of careful ingredients that only she knows the recipe for.

And together we come, knowing it is right and timely to do so. To share what is dear to us, to share our own fire, our own creative juice. Where do we come from? It does not matter, we have been called into a web that is woven with magic and sensuality, woven with blessings of the wider web of mystery and belonging. Woven with the threads of many dreams and dreamt into being.
We become that one web, we become that one fire, we become that one juicy bowl of medicine filled with the ripeness of all we are.

And the fire grows and sparkles and sends its light amongst many other dancers and medicine ways. A new model and map for conforming old stereotypical patterns that no longer serve us, no longer fit in today’s hunt for the resurgence of the feminine, the awakening of the mother and the wisdom of ages that was put aside. Hidden in the depths of our bellies, forced to shut up, sit down, hide our face, our medicine, our power, our voice!

Let us dance and sing together, let us pray and stomp our feet together, let us speak out and share our stories together. Let us sit in the quiet silence together as witness to the fire and all it is illuminating, so that its dance is no longer one of unconscious competition and anger, of the masculine matrix of domination.

Let us sit in a circle together, facing each other,
as equal as each other.

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the work of the circle

 

‘Create a circle around you’ she said

see what it looks like,

feel it,

know its shape its color,

its texture and all it is made of,

 

See what it contains and invite in more.

The creatures with their wisdom,

the poetry that has inspired you,

the essence of each of those teachers

that recognise your gold.

 

Know this circle as your protector,

keeping you safe as you explore your self,

your work and all that needs to be danced,

 

Know this circle as your support and guidance

 

‘For it is you’, she said,

 

And the more you connect to it the stronger it will become,

hunt those thoughts and feelings and set your intention, 

 

Step boldly into its Center and feel its energy surround you,

feel your feet on the ground as you call to the elements!

 

Open your heart and breath deeply,

begin the dance that is inside you

and know that your circle is there,

My own circle has become that cauldron of my own medicine, a container for the healing work I have undertaken and for the healing work I now undertake to do. It is from where my writing unfolds and where I dream and create the visions of my future. The same future I dream up for the world around me.

My circle has held me in times of deep trauma release. Something I write about in my book ‘Reclaimed Innocence.’ It is always necessary to do this work if we are to become whole and complete in our lives. Where there is loss there is great opportunity. Where there has been trauma and suffering there is the possibility of transformation and a deeper connection to love and to spirit.

 

My life has been far from perfect and I would not have wished it any other way. In that respect it has been perfect. We can gain so much by living through the challenges that life presents to us, the greater the challenge the stronger our spirit will be. Show me a wounded child in an adult body and I will show you where true power lies, where the vulnerable meet with the ‘ego of destruction’ and in the making of friends, unfold a meeting of the highest potential in a human being. What we may have considered in the world of adulthood as ‘power’ before, is both fake and without depth of soul and authenticity.

True power resides in the circle of our own strength, in the ability to be both vulnerable and strong simultaneously, to trust in the wisdom of the  innocent being that we all are.

So when I am faced with a potential situation that needs healing, the first thing I do is remind myself of my circle. I draw all I need to me and  acknowledge what might be the most supportive of my ‘team’ of allies for this particular journey. I’m aware I cannot know fully what will be needed so I ensure it is all in place in case there is anything I need to call on that may serve me along the way.

I need to be very present, aware and awake. I can help myself with this by completely slowing down. Not so that there is no movement at all, but so that I am fully conscious of every movement that my body makes.

If I move too fast I may easily miss a moment or a vibration that takes a mere second to work its way through one of my muscles, or a sensation that tells me a cell has awakened and wants to be part of this dance.

Once the whole body is in motion I know that the process of healing is beginning and I am ready within this circle to address the wounds and the original trauma that has remained in my body. I may have a full memory of its origin, I may not. This really does not matter. What does matter is that I give attention to the energy that has been locked away.

 

We can only come to this place when we are ready. No amount of healing work will ever begin until we can step fully into a place of surrender and make a commitment to its process. Building a strong circle will help us to prepare for this, it will help us to become ready, knowing that we can handle any outcomes from it. The circle and our dance will hold us through the process.

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